Plein Air Painting
The experience of being outdoors and beyond one's self: the exhilaration one feels immersed in a seemingly boundless outdoor environment inspires the paintings below. These works also express the physical act of painting which feels freeing and instinctual outdoors. Many of these plein air paintings were completed during summer in Maine where the sky, grass, water and land all seem to envelop and heal one's body. Illness and limitation due to Long Covid fades away as one is absorbed in light and sound.
Pine Point, 2022, acrylic on panel,, 16 x 20 inches (original sold/prints available)
Casco Bay, 20223 oil on canvas,, 24 x 36 inches (sold)
Pine Point 1, 2022, acrylic on panel, 4 x 6 inches (sold)
Pine Point 4, 2022, acrylic on panel, 8 x 10 inches
Pine Point 11, 2022, acrylic on canvas, 8 x 10 inches
Pine Point 10, 2022, acrylic on panel, 8 x 10 inches
Pine Point 13, 2022, acrylic on canvas, 8 x 10 inches
Pine Point 14, 2022, acrylic on canvas. 10 x 8 inches
Brooklyn 3, 2022, oil on panel, 6 x 4 inches (sold)
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Pine Point 2, 2022, acrylic on panel, 8 x 10 inches
Pine Point 6, 2022, acrylic on panel, 8 x 10 inches
Pine Point 5, 2022, acrylic on panel, 8 x 10 inches (sold)
Pine Point 8, 2022, acrylic on panel, 8 x 10 inches (sold)
Pine Point 16, 2022, acrylic on panel, 11 x 14 inches
Pine Point 7, 2022, acrylic on panel, 8 x 8 inches
Brooklyn 1, 2022, oil on panel, 10 x 8 inches
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Pine Point 3, 2022, acrylic on panel, 6 x 8 inches (sold)
Pine Point 9, 2022, acrylic on canvas, 8 x 10 inches
Pine Point 12, 2022, acrylic on panel, 11 x 14 inches
Pine Point 15, 2022, acrylic on panel, 8 x 10 inches
Pine Point 17, 2022, acrylic on panel, 11 x 14 inches
Camp Ellis, 2022, oil on panel, 14 x 11 inches (sold)
Brooklyn 2, 2022, watercolor on homemade paper, 15 x 10 inches
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Plein Air Drawings
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Paintings (selected)
The paintings below are inspired by my direct experience with Long Covid.
The pandemic has been a life-changing event for the entire planet, myself and my health included.
My body has become an unfamiliar territory with unexpected changes and an unknown outcome.
In these artworks, I use my human body frequently as an expressive vehicle
to communicate my personal feelings, experiences, memories and desires.
In these works I always aims to reveal more than the actual body parts.
In the past, I have used the simplified image of the house/home works in a similar manner.
The pandemic has been a life-changing event for the entire planet, myself and my health included.
My body has become an unfamiliar territory with unexpected changes and an unknown outcome.
In these artworks, I use my human body frequently as an expressive vehicle
to communicate my personal feelings, experiences, memories and desires.
In these works I always aims to reveal more than the actual body parts.
In the past, I have used the simplified image of the house/home works in a similar manner.
Blinded, 2022, acrylic on canvas, 48 x 24 inches (prints available)
Emancipation, 2021, oil on canvas, 56 x 30 inches
Disconnect 3, 2022, oil on canvas, 24 x 18 inches
Homeless, 2017, oil on canvas, 72 x 45 inches
yes Revolution, 2017, oil on canvas, 68 x 51 inches (see below) (prints available)
Take Away, 2017, acrylic on canvas, 50 x 62 inches (see below)
Familiar Faces, 2019, tempera on paper, 17 x 23 inches
Unbound 2, 2019, mixed media on paper,
21 x 20 inches 
The Storm, 2019. oil and paper on canvas, 57 x 78 inches (see below)
Unbound 4, 2019, mixed media on paper, 24 x 18 inches
In the Dark, 2013, acrylic on canvas, 60 x 38 inches
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Disconnect 5, 2022, acrylic on canvas, 48 x 24 inches
Disconnect 2, 2022, oil on canvas, 48 x 24 inches (prints available)
Homeless, 2017, oil on canvas, 72 x 45 inches
Unbound, 2018, oil and oil stick on canvas, 48 x 39 inches
Disconnect 4, 2022, oil on canvas, 18 x 24 inches
Reaching 3, 2019, mixed media on paper, 9 x 5 inches
The Door, 2015, he Door, 2015, acrylic on canvas, 47 x 47 inches
Bounded 1, 2018, acrylic on panel, 5 x 7 inches
The Door 2, 2016, watercolor on paper, 14 x 10 inches
Reaching 5, 2022, oil on canvas, 8 x 12 inches
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Disconnect, 2022, acrylic/oil on canvas, 48 x 24 inches
Reaching, 2022, oil/paper on canvas, 44 x 22 inches
Reaching 4, 2022, oil on canvas, 48 x 24 inches
Uprising, 2017, oil on canvas, 66 x 50 inches (see below)
Reaching 2, 2018, acrylic on paper, 14 x 17 inches
Breathless, 2019, mixed media on paper, 23 x 18 inches
Palm Reading, 2022, acrylic on canvas 24 x 18 inches
The Storm 2, 2019, oil on canvas, oil on canvas, 18 x 24 inches
Herstory, 2019, oil on canvas board, 14 x 11 inches
Moving On, 2017, ink on paper, 23 x 35 inches
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Revolution, 2017, oil on canvas, 68 x 51 inches
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The Storm, 2019, oil and paper on canvas, 57 x 78 inches
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Uprising, 2017, oil on canvas, 66 x 50 inches
House/Home, 2011-2012, small works on paper on paper: watercolor, acrylic, pencil, 4 x 6 inches and 5 x 7 inches
Drawing
The drawings in this section are created as a thought process, with layers of marks compounding to create a single image. The human figure, the house/home, text and abstract marks all combine to form artworks that never begin with an outcome in mind. In this free flowing process my mind is cleared as thoughts and ideas become marks and mark making.
Democracy, 2020, ink on paper, 14 x 11 inches
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Democracy 2, 2020, ink on paper, 14 x 11 inches
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Brain on Fire 3, 2019, ink on paper, 23 x 17 inches
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Socially Engaged
The socially engaged works in this section grapples with contentious environmental, social, and economic issues. In New York City and in Athens Greece, the works are inspired by my responses as an artist to external conditions that seem hopeless and disturbing. The aim of the artwork is to awaken the public and viewer to these issues in the hopes of empowering a sea of human voices to take action and create changes that benefit humanity.
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The State of Greece
ΕΝΟΙΚΙΑΖΕΤΑΙ - ΠΩΛΕΙΤΑΙ FOR RENT – FOR SALE The words: ΕΝΟΙΚΙΑΖΕΤΑΙ - ΠΩΛΕΙΤΑΙ: FOR RENT - FOR SALE dominate the streets, structures and spaces of Greece, repeating themselves ad nauseam along blocks of once occupied homes and shops, spelling out the current, disastrous Greek state of affairs. It is impossible to ignore these signs, and their menacing forebodings. They point to a co-existent yet sometimes hidden stress, poverty, and lack of a clear future for Greece that are only too obvious to the people of Greece. |
Photography
Photography is a staple of my artistic practice. The photos are below are taken in my daily life including glimpses of my frequent commuting journey from New York City to New Jersey for work. Other photos are autobiographical and express myself during various phases of life.
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